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find them here
Nikita Pirogov.
Margarita and Olga from The Other Shore series, 2010
#1/3, signed
Margarita and Olga from The Other Shore series, 2010
#1/3, signed
L-size
1800
€
Archival pigment print, printed in 2010
Hahnemuhle Ultra Smooth Photo Rag, density - 305 gsm
80cm x 120cm, 107cm x 126cm with margins
Nikita Pirogov’s works are visual poetry. The equality between photography and poetry does not result from the author's writing poetry with words and with the help of a camera but is in a literal feeling of individual Pirogov’s photos as beads from which new strings of new meanings are made when a collision of adjacent images forms a new and never before experienced feeling. What does poetry give us? A revelation? But how can one make sure that this is It? Through a movement of the air flying through their perception, piercing their bodies and mind with lightning and making one’s skin feel the presence of an invisible unknown. It is funny to speak about the invisible while speaking of photography, but it seems to me, it is present here.
(Irina Tchmyreva, PhD., curator)
Hahnemuhle Ultra Smooth Photo Rag, density - 305 gsm
80cm x 120cm, 107cm x 126cm with margins
Nikita Pirogov’s works are visual poetry. The equality between photography and poetry does not result from the author's writing poetry with words and with the help of a camera but is in a literal feeling of individual Pirogov’s photos as beads from which new strings of new meanings are made when a collision of adjacent images forms a new and never before experienced feeling. What does poetry give us? A revelation? But how can one make sure that this is It? Through a movement of the air flying through their perception, piercing their bodies and mind with lightning and making one’s skin feel the presence of an invisible unknown. It is funny to speak about the invisible while speaking of photography, but it seems to me, it is present here.
(Irina Tchmyreva, PhD., curator)
Nikita Pirogov.
Semeon from The Other Shore series, 2010
#1/5, signed
Semeon from The Other Shore series, 2010
#1/5, signed
L-size
1300
€
Archival pigment print, printed in 2010
Hahnemuhle Ultra Smooth Photo Rag, density - 305 gsm
60cm x 90cm, no margins
Nikita Pirogov’s works are visual poetry. The equality between photography and poetry does not result from the author's writing poetry with words and with the help of a camera but is in a literal feeling of individual Pirogov’s photos as beads from which new strings of new meanings are made when a collision of adjacent images forms a new and never before experienced feeling. What does poetry give us? A revelation? But how can one make sure that this is It? Through a movement of the air flying through their perception, piercing their bodies and mind with lightning and making one’s skin feel the presence of an invisible unknown. It is funny to speak about the invisible while speaking of photography, but it seems to me, it is present here.
(Irina Tchmyreva, PhD., curator)
Hahnemuhle Ultra Smooth Photo Rag, density - 305 gsm
60cm x 90cm, no margins
Nikita Pirogov’s works are visual poetry. The equality between photography and poetry does not result from the author's writing poetry with words and with the help of a camera but is in a literal feeling of individual Pirogov’s photos as beads from which new strings of new meanings are made when a collision of adjacent images forms a new and never before experienced feeling. What does poetry give us? A revelation? But how can one make sure that this is It? Through a movement of the air flying through their perception, piercing their bodies and mind with lightning and making one’s skin feel the presence of an invisible unknown. It is funny to speak about the invisible while speaking of photography, but it seems to me, it is present here.
(Irina Tchmyreva, PhD., curator)
Nikita Pirogov.
Melting Ice from The Other Shore series, 2010
#1/5, signed
Melting Ice from The Other Shore series, 2010
#1/5, signed
L-size
1300
€
Archival pigment print, printed in 2010
Hahnemuhle Ultra Smooth Photo Rag, density - 305 gsm
50cm x 75cm, 60cm x 85cm with margins
Nikita Pirogov’s works are visual poetry. The equality between photography and poetry does not result from the author's writing poetry with words and with the help of a camera but is in a literal feeling of individual Pirogov’s photos as beads from which new strings of new meanings are made when a collision of adjacent images forms a new and never before experienced feeling. What does poetry give us? A revelation? But how can one make sure that this is It? Through a movement of the air flying through their perception, piercing their bodies and mind with lightning and making one’s skin feel the presence of an invisible unknown. It is funny to speak about the invisible while speaking of photography, but it seems to me, it is present here.
(Irina Tchmyreva, PhD., curator)
Hahnemuhle Ultra Smooth Photo Rag, density - 305 gsm
50cm x 75cm, 60cm x 85cm with margins
Nikita Pirogov’s works are visual poetry. The equality between photography and poetry does not result from the author's writing poetry with words and with the help of a camera but is in a literal feeling of individual Pirogov’s photos as beads from which new strings of new meanings are made when a collision of adjacent images forms a new and never before experienced feeling. What does poetry give us? A revelation? But how can one make sure that this is It? Through a movement of the air flying through their perception, piercing their bodies and mind with lightning and making one’s skin feel the presence of an invisible unknown. It is funny to speak about the invisible while speaking of photography, but it seems to me, it is present here.
(Irina Tchmyreva, PhD., curator)
Nikita Pirogov.
Nikita #1 from The Other Shore series, 2010
#1/5, signed
Nikita #1 from The Other Shore series, 2010
#1/5, signed
M-size
1300
€
Archival pigment print, printed in 2010
Hahnemuhle Ultra Smooth Photo Rag, density - 305 gsm
50cm x 70cm, 60cm x 80cm with margins
Nikita Pirogov’s works are visual poetry. The equality between photography and poetry does not result from the author's writing poetry with words and with the help of a camera but is in a literal feeling of individual Pirogov’s photos as beads from which new strings of new meanings are made when a collision of adjacent images forms a new and never before experienced feeling. What does poetry give us? A revelation? But how can one make sure that this is It? Through a movement of the air flying through their perception, piercing their bodies and mind with lightning and making one’s skin feel the presence of an invisible unknown. It is funny to speak about the invisible while speaking of photography, but it seems to me, it is present here.
(Irina Tchmyreva, PhD., curator)
Hahnemuhle Ultra Smooth Photo Rag, density - 305 gsm
50cm x 70cm, 60cm x 80cm with margins
Nikita Pirogov’s works are visual poetry. The equality between photography and poetry does not result from the author's writing poetry with words and with the help of a camera but is in a literal feeling of individual Pirogov’s photos as beads from which new strings of new meanings are made when a collision of adjacent images forms a new and never before experienced feeling. What does poetry give us? A revelation? But how can one make sure that this is It? Through a movement of the air flying through their perception, piercing their bodies and mind with lightning and making one’s skin feel the presence of an invisible unknown. It is funny to speak about the invisible while speaking of photography, but it seems to me, it is present here.
(Irina Tchmyreva, PhD., curator)
Nikita Pirogov.
Semeon from The Other Shore series, 2010
#1/5, signed
Semeon from The Other Shore series, 2010
#1/5, signed
S-size
400
€
Archival pigment print, printed in 2010
Hahnemuhle Ultra Smooth Photo Rag, density - 305 gsm
20cm x 30cm, 22cm x 32cm with margins
Nikita Pirogov’s works are visual poetry. The equality between photography and poetry does not result from the author's writing poetry with words and with the help of a camera but is in a literal feeling of individual Pirogov’s photos as beads from which new strings of new meanings are made when a collision of adjacent images forms a new and never before experienced feeling. What does poetry give us? A revelation? But how can one make sure that this is It? Through a movement of the air flying through their perception, piercing their bodies and mind with lightning and making one’s skin feel the presence of an invisible unknown. It is funny to speak about the invisible while speaking of photography, but it seems to me, it is present here.
(Irina Tchmyreva, PhD., curator)
Hahnemuhle Ultra Smooth Photo Rag, density - 305 gsm
20cm x 30cm, 22cm x 32cm with margins
Nikita Pirogov’s works are visual poetry. The equality between photography and poetry does not result from the author's writing poetry with words and with the help of a camera but is in a literal feeling of individual Pirogov’s photos as beads from which new strings of new meanings are made when a collision of adjacent images forms a new and never before experienced feeling. What does poetry give us? A revelation? But how can one make sure that this is It? Through a movement of the air flying through their perception, piercing their bodies and mind with lightning and making one’s skin feel the presence of an invisible unknown. It is funny to speak about the invisible while speaking of photography, but it seems to me, it is present here.
(Irina Tchmyreva, PhD., curator)
Jennetta Petch and Szymon Kula.
Harness III, 2021
Harness III, 2021
L-size
570
€
Wood, leather, laser engraving
60cm x 30 x 30 cm
Jenneta Petch and Szymon Kula create speculative fictions and rural fantasies inspired by pastoral sci-fi, imagining possible futures where time portals overlap and tradition and innovation cross over into absurdity. They displace deep past materialisms into a contemporary context, re-exploring their viabilities, potential adaptations and community roles beyond the local economy. In the context of environmental breakdown, they investigate the future purpose of craft practices and the potential utopias they can generate, as well as how they can aid our survival in unknown prospective ecosystems.
60cm x 30 x 30 cm
Jenneta Petch and Szymon Kula create speculative fictions and rural fantasies inspired by pastoral sci-fi, imagining possible futures where time portals overlap and tradition and innovation cross over into absurdity. They displace deep past materialisms into a contemporary context, re-exploring their viabilities, potential adaptations and community roles beyond the local economy. In the context of environmental breakdown, they investigate the future purpose of craft practices and the potential utopias they can generate, as well as how they can aid our survival in unknown prospective ecosystems.
Jennetta Petch and Szymon Kula.
Harness II, 2021
Harness II, 2021
M-size
430
€
Wood, leather, laser engraving
45cm x 30 x 30 cm
Jenneta Petch and Szymon Kula create speculative fictions and rural fantasies inspired by pastoral sci-fi, imagining possible futures where time portals overlap and tradition and innovation cross over into absurdity. They displace deep past materialisms into a contemporary context, re-exploring their viabilities, potential adaptations and community roles beyond the local economy. In the context of environmental breakdown, they investigate the future purpose of craft practices and the potential utopias they can generate, as well as how they can aid our survival in unknown prospective ecosystems.
45cm x 30 x 30 cm
Jenneta Petch and Szymon Kula create speculative fictions and rural fantasies inspired by pastoral sci-fi, imagining possible futures where time portals overlap and tradition and innovation cross over into absurdity. They displace deep past materialisms into a contemporary context, re-exploring their viabilities, potential adaptations and community roles beyond the local economy. In the context of environmental breakdown, they investigate the future purpose of craft practices and the potential utopias they can generate, as well as how they can aid our survival in unknown prospective ecosystems.
Jennetta Petch and Szymon Kula.
Harness I, 2021
Harness I, 2021
M-size
430
€
Wood, leather, laser engraving
45cm x 30 x 30 cm
Jenneta Petch and Szymon Kula create speculative fictions and rural fantasies inspired by pastoral sci-fi, imagining possible futures where time portals overlap and tradition and innovation cross over into absurdity. They displace deep past materialisms into a contemporary context, re-exploring their viabilities, potential adaptations and community roles beyond the local economy. In the context of environmental breakdown, they investigate the future purpose of craft practices and the potential utopias they can generate, as well as how they can aid our survival in unknown prospective ecosystems.
45cm x 30 x 30 cm
Jenneta Petch and Szymon Kula create speculative fictions and rural fantasies inspired by pastoral sci-fi, imagining possible futures where time portals overlap and tradition and innovation cross over into absurdity. They displace deep past materialisms into a contemporary context, re-exploring their viabilities, potential adaptations and community roles beyond the local economy. In the context of environmental breakdown, they investigate the future purpose of craft practices and the potential utopias they can generate, as well as how they can aid our survival in unknown prospective ecosystems.
Maria Safronova-Wahlström.
Sculpture from the project Habitus, 2019
Sculpture from the project Habitus, 2019
M-size
350
€
Plaster 27*12*10 cm
Habitus is about one hundred casts in plaster Birkenstock sandals placed in the plastic boxes, that are usually used in the German factories of the brand. Is the individual and independent choice possible in the world of manufacturing in large quantities identity traits? What is the aim of this subconscious signalling of social membership and belonging? The plaster shoes are represented in male, female and children sizes (41, 38, 27) with the link to the idea of how the social identity is formed by the family and social circle and form the perception and behaviour of the younger generations. This is an ingrained set of dispositions that shape the way we perceive and react to the world.
images: © Ksenia Yurkova, Tina Umer
Habitus is about one hundred casts in plaster Birkenstock sandals placed in the plastic boxes, that are usually used in the German factories of the brand. Is the individual and independent choice possible in the world of manufacturing in large quantities identity traits? What is the aim of this subconscious signalling of social membership and belonging? The plaster shoes are represented in male, female and children sizes (41, 38, 27) with the link to the idea of how the social identity is formed by the family and social circle and form the perception and behaviour of the younger generations. This is an ingrained set of dispositions that shape the way we perceive and react to the world.
images: © Ksenia Yurkova, Tina Umer
Ksenia Yurkova. Sculpture from the series Portfolio Performance, 2021
M-size
400
€
30*30*6 cm
#1 "Believing is seeing" from the series of 20 different artworks.
Technique: braille font cut-out on handmade paper.
Frame - painted solid wood + glass
Backside - colour pencil, stencil
Certificate - in an A5 envelope with a QR link to an exclusive video.
#1 "Believing is seeing" from the series of 20 different artworks.
Technique: braille font cut-out on handmade paper.
Frame - painted solid wood + glass
Backside - colour pencil, stencil
Certificate - in an A5 envelope with a QR link to an exclusive video.
Ksenia Yurkova. Sculpture from the series Portfolio Performance, 2021
M-size
400
€
30*30*6 cm
#2 "Established buy Belief" from the series of 20 different artworks.
Technique: braille font cut-out on handmade paper.
Frame - painted solid wood + glass
Backside - colour pencil, stencil
Certificate - in an A5 envelope with a QR link to an exclusive video.
#2 "Established buy Belief" from the series of 20 different artworks.
Technique: braille font cut-out on handmade paper.
Frame - painted solid wood + glass
Backside - colour pencil, stencil
Certificate - in an A5 envelope with a QR link to an exclusive video.
Ksenia Yurkova. Sculpture from the series Portfolio Performance, 2021
M-size
400
€
30*30*6 cm
#3 "Poor Man's Bread" from the series of 20 different artworks.
Technique: braille font cut-out on handmade paper.
Frame - painted solid wood + glass
Backside - colour pencil, stencil
Certificate - in an A5 envelope with a QR link to an exclusive video.
#3 "Poor Man's Bread" from the series of 20 different artworks.
Technique: braille font cut-out on handmade paper.
Frame - painted solid wood + glass
Backside - colour pencil, stencil
Certificate - in an A5 envelope with a QR link to an exclusive video.
Ksenia Yurkova. Sculpture from the series Portfolio Performance, 2021
M-size
400
€
30*30*6 cm
#4 "Clutch a Straw" from the series of 20 different artworks.
Technique: braille font cut-out on handmade paper.
Frame - painted solid wood + glass
Backside - colour pencil, stencil
Certificate - in an A5 envelope with a QR link to an exclusive video.
#4 "Clutch a Straw" from the series of 20 different artworks.
Technique: braille font cut-out on handmade paper.
Frame - painted solid wood + glass
Backside - colour pencil, stencil
Certificate - in an A5 envelope with a QR link to an exclusive video.
Ksenia Yurkova. Sculpture from the series Portfolio Performance, 2021
M-size
400
€
30*30*6 cm
#5 "Trust Your Gut Extinct" from the series of 20 different artworks.
Technique: braille font cut-out on handmade paper.
Frame - painted solid wood + glass
Backside - colour pencil, stencil
Certificate - in an A5 envelope with a QR link to an exclusive video.
#5 "Trust Your Gut Extinct" from the series of 20 different artworks.
Technique: braille font cut-out on handmade paper.
Frame - painted solid wood + glass
Backside - colour pencil, stencil
Certificate - in an A5 envelope with a QR link to an exclusive video.
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