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15% >> TO THE EMERGENCY PROGRAM
15% >> TO THE AIR InSILo
IF YOU ARE INTERESTED IN NFT
find them here
AIR InSILo Postcards, 2021
XS-size
10
€
Format A6, carton 300 g/m3, UV coating
First edition of 50.
A set of five postcards with silos of Lower Austria
First edition of 50.
A set of five postcards with silos of Lower Austria
Fernando Martín Velazco. Gray Whale and Dolphins, 2021
S-size
90
€
Lambda C-Print at Fujicolor
Crystal Archive DP
A special print for AIR InSILo
21*31
Crystal Archive DP
A special print for AIR InSILo
21*31
Fernando Martín Velazco. Maternity, 2021
S-size
90
€
Lambda C-Print at Fujicolor
Crystal Archive DP
A special print for AIR InSILo
21*31
Crystal Archive DP
A special print for AIR InSILo
21*31
Fernando Martín Velazco. Gray Whales’ Pod, 2021
S-size
90
€
Lambda C-Print at Fujicolor
Crystal Archive DP
A special print for AIR InSILo
21*31
Crystal Archive DP
A special print for AIR InSILo
21*31
Jennetta Petch and Szymon Kula.
Harness III, 2021
Harness III, 2021
L-size
570
€
Wood, leather, laser engraving
60cm x 30 x 30 cm
Jenneta Petch and Szymon Kula create speculative fictions and rural fantasies inspired by pastoral sci-fi, imagining possible futures where time portals overlap and tradition and innovation cross over into absurdity. They displace deep past materialisms into a contemporary context, re-exploring their viabilities, potential adaptations and community roles beyond the local economy. In the context of environmental breakdown, they investigate the future purpose of craft practices and the potential utopias they can generate, as well as how they can aid our survival in unknown prospective ecosystems.
60cm x 30 x 30 cm
Jenneta Petch and Szymon Kula create speculative fictions and rural fantasies inspired by pastoral sci-fi, imagining possible futures where time portals overlap and tradition and innovation cross over into absurdity. They displace deep past materialisms into a contemporary context, re-exploring their viabilities, potential adaptations and community roles beyond the local economy. In the context of environmental breakdown, they investigate the future purpose of craft practices and the potential utopias they can generate, as well as how they can aid our survival in unknown prospective ecosystems.
Jennetta Petch and Szymon Kula.
Harness II, 2021
Harness II, 2021
M-size
430
€
Wood, leather, laser engraving
45cm x 30 x 30 cm
Jenneta Petch and Szymon Kula create speculative fictions and rural fantasies inspired by pastoral sci-fi, imagining possible futures where time portals overlap and tradition and innovation cross over into absurdity. They displace deep past materialisms into a contemporary context, re-exploring their viabilities, potential adaptations and community roles beyond the local economy. In the context of environmental breakdown, they investigate the future purpose of craft practices and the potential utopias they can generate, as well as how they can aid our survival in unknown prospective ecosystems.
45cm x 30 x 30 cm
Jenneta Petch and Szymon Kula create speculative fictions and rural fantasies inspired by pastoral sci-fi, imagining possible futures where time portals overlap and tradition and innovation cross over into absurdity. They displace deep past materialisms into a contemporary context, re-exploring their viabilities, potential adaptations and community roles beyond the local economy. In the context of environmental breakdown, they investigate the future purpose of craft practices and the potential utopias they can generate, as well as how they can aid our survival in unknown prospective ecosystems.
Jennetta Petch and Szymon Kula.
Harness I, 2021
Harness I, 2021
M-size
430
€
Wood, leather, laser engraving
45cm x 30 x 30 cm
Jenneta Petch and Szymon Kula create speculative fictions and rural fantasies inspired by pastoral sci-fi, imagining possible futures where time portals overlap and tradition and innovation cross over into absurdity. They displace deep past materialisms into a contemporary context, re-exploring their viabilities, potential adaptations and community roles beyond the local economy. In the context of environmental breakdown, they investigate the future purpose of craft practices and the potential utopias they can generate, as well as how they can aid our survival in unknown prospective ecosystems.
45cm x 30 x 30 cm
Jenneta Petch and Szymon Kula create speculative fictions and rural fantasies inspired by pastoral sci-fi, imagining possible futures where time portals overlap and tradition and innovation cross over into absurdity. They displace deep past materialisms into a contemporary context, re-exploring their viabilities, potential adaptations and community roles beyond the local economy. In the context of environmental breakdown, they investigate the future purpose of craft practices and the potential utopias they can generate, as well as how they can aid our survival in unknown prospective ecosystems.
Maria Safronova-Wahlström.
Sculpture from the project Habitus, 2019
Sculpture from the project Habitus, 2019
M-size
350
€
Plaster 27*12*10 cm
Habitus is about one hundred casts in plaster Birkenstock sandals placed in the plastic boxes, that are usually used in the German factories of the brand. Is the individual and independent choice possible in the world of manufacturing in large quantities identity traits? What is the aim of this subconscious signalling of social membership and belonging? The plaster shoes are represented in male, female and children sizes (41, 38, 27) with the link to the idea of how the social identity is formed by the family and social circle and form the perception and behaviour of the younger generations. This is an ingrained set of dispositions that shape the way we perceive and react to the world.
images: © Ksenia Yurkova, Tina Umer
Habitus is about one hundred casts in plaster Birkenstock sandals placed in the plastic boxes, that are usually used in the German factories of the brand. Is the individual and independent choice possible in the world of manufacturing in large quantities identity traits? What is the aim of this subconscious signalling of social membership and belonging? The plaster shoes are represented in male, female and children sizes (41, 38, 27) with the link to the idea of how the social identity is formed by the family and social circle and form the perception and behaviour of the younger generations. This is an ingrained set of dispositions that shape the way we perceive and react to the world.
images: © Ksenia Yurkova, Tina Umer
Bernhard Kathan.
Johanna Mikl-Leitner und Sebastian Kurz trinken die Herzen von Menschen aus, 2016
#1/7, signed
Johanna Mikl-Leitner und Sebastian Kurz trinken die Herzen von Menschen aus, 2016
#1/7, signed
L-size
1350
€
Ink pen on paper, C-Print
91 x 144,5 cm
91 x 144,5 cm
Bernhard Kathan.
Der peloponnesische Krieg mit digitalen Mitteln geführt, 2021
#1/7, signed
Der peloponnesische Krieg mit digitalen Mitteln geführt, 2021
#1/7, signed
L-size
1350
€
Ink pen on paper, C-Print
91 x 144,5 cm
91 x 144,5 cm
Bernhard Kathan.
Der Traum des Hermann Broch, 2018
#1/7, signed
Der Traum des Hermann Broch, 2018
#1/7, signed
L-size
1350
€
Ink pen on paper, C-Print
91 x 144,5 cm
91 x 144,5 cm
Bernhard Kathan.
Wir Maschinen-mensche, 2021
#1/7, signed
Wir Maschinen-mensche, 2021
#1/7, signed
L-size
1350
€
Ink pen on paper, C-Print
91 x 144,5 cm
91 x 144,5 cm
Die Erschießung der Marussja Omeltschenko am 17.11.1943 in der Nähe von Uman, 2016
#1/7, signed
#1/7, signed
L-size
1350
€
Ink pen on paper, C-Print
91 x 144,5 cm
91 x 144,5 cm
Martin Breindl, Plane Catcher #13, 2019
L-size
1600
€
Assemblage: model airplane, iron,
27.8 x 11.3 x 24 cm, 0.9 kg
incl. certificate of authenticity
27.8 x 11.3 x 24 cm, 0.9 kg
incl. certificate of authenticity
Martin Breindl, Plane Catcher #16, 2019
L-size
1600
€
Assemblage: model airplane, iron,
18.4 x 18.6 x 18.6 cm, 3.0 kg
incl. certificate of authenticity
18.4 x 18.6 x 18.6 cm, 3.0 kg
incl. certificate of authenticity
Martin Breindl, Plane Catcher #20, 2019
L-size
1600
€
Assemblage: model airplane, iron,
19 x 10.5 x 19 (+ 2.5 x 9 x 15) cm, 1.3 (2.6) kg
incl. certificate of authenticity
19 x 10.5 x 19 (+ 2.5 x 9 x 15) cm, 1.3 (2.6) kg
incl. certificate of authenticity
Martin Breindl, Plane Catcher #33, 2019
L-size
1600
€
Assemblage: model airplane, iron, 16.2 x 14 x 24.8 (+ 4 x 7.8 x 14.4) cm, 1.6 (3.6) kg
incl. certificate of authenticity
incl. certificate of authenticity
Martin Breindl, Plane Catcher #34, 2019
L-size
1600
€
Assemblage: model airplane, iron,
20 x 23 x 23 (+ 4 x 6 x 15.5) cm, 1.9 (3.6) kg
incl. certificate of authenticity
20 x 23 x 23 (+ 4 x 6 x 15.5) cm, 1.9 (3.6) kg
incl. certificate of authenticity
Martin Breindl, Plane Catcher #41, 2019
L-size
1600
€
Assemblage: model airplane, iron,
12.5 x 15 x 24 cm, 2.4 kg
incl. certificate of authenticity
Martin Breindl, Plane Catcher #44, 2020
L-size
1600
€
Assemblage: model airplane, iron,
15 x 21 x 40 cm, 1.0 kg
incl. certificate of authenticity
Ksenia Yurkova. Print from the series SS*SR, 2018
#2/3+2AP
#2/3+2AP
L-size
1200
€
70*105*0.6 cm
Lambda C-Print on Fujicolor Crystal Archive
DP II Photopaper under
2mm Acrylglas on 4mm Alu-Dibond/
Lambda C-Print on Fujicolor Crystal Archive
DP II Photopaper under
2mm Acrylglas on 4mm Alu-Dibond/
Ksenia Yurkova. Sculpture from the project
Negative Space, 2021
#1/3+1AC
Negative Space, 2021
#1/3+1AC
L-size
1800
€
18*12.4*22 cm
Weight: 4 kg
Acryl, Cotton, Plastic, Metal
Weight: 4 kg
Acryl, Cotton, Plastic, Metal
Ksenia Yurkova. Print from the series SS*SR, 2018
#2/3+2AP
#2/3+2AP
L-size
1200
€
70*105*0.3 cm
UV-Print on 3mm Alu-Dibond
UV-Print on 3mm Alu-Dibond
Ksenia Yurkova. Print from the series SS*SR, 2018
#1/3 +2 AP
#1/3 +2 AP
L-size
950
€
60*90*0.3 cm
UV on 3mm Alu-Dibond/
UV on 3mm Alu-Dibond/
Ksenia Yurkova. Print from the series SS*SR, 2018
#1/3+2AP
#1/3+2AP
L-size
900
€
60*90*0.4 cm
Lambda C-Print on Fujicolor Crystal Archive
DP II Photopaper under
2mm Acrylglas on 2mm Alu-Dibond/
Lambda C-Print on Fujicolor Crystal Archive
DP II Photopaper under
2mm Acrylglas on 2mm Alu-Dibond/
Ksenia Yurkova. Print from the series SS*SR, 2018
#1/3+2AP
#1/3+2AP
L-size
900
€
60*90*0.4 cm
Lambda C-Print on Fujicolor Crystal Archive
DP II Photopaper under
2mm Acrylglas on 2mm Alu-Dibond/
Lambda C-Print on Fujicolor Crystal Archive
DP II Photopaper under
2mm Acrylglas on 2mm Alu-Dibond/
Ksenia Yurkova. Print from the series SS*SR, 2018
#1/5+2AP
#1/5+2AP
M-size
750
€
50*75*0.4 cm
Lambda C-Print on Fujicolor Crystal Archive
DP II Photopaper under
2mm Acrylglas on 2mm Alu-Dibond/
Lambda C-Print on Fujicolor Crystal Archive
DP II Photopaper under
2mm Acrylglas on 2mm Alu-Dibond/
Ksenia Yurkova. Print from the series SS*SR, 2018
#1/5+2AP
#1/5+2AP
M-size
750
€
50*75*0.4 cm
Lambda C-Print on Fujicolor Crystal Archive
DP II Photopaper under
2mm Acrylglas on 2mm Alu-Dibond/
Lambda C-Print on Fujicolor Crystal Archive
DP II Photopaper under
2mm Acrylglas on 2mm Alu-Dibond/
Ksenia Yurkova. Print from the series SS*SR, 2018
#1/5+2AP
#1/5+2AP
M-size
750
€
50*75*0.4 cm
Lambda C-Print on Fujicolor Crystal Archive
DP II Photopaper under
2mm Acrylglas on 2mm Alu-Dibond/
Lambda C-Print on Fujicolor Crystal Archive
DP II Photopaper under
2mm Acrylglas on 2mm Alu-Dibond/
Ksenia Yurkova. Sculpture from the series Portfolio Performance, 2021
M-size
400
€
30*30*6 cm
#1 "Believing is seeing" from the series of 20 different artworks.
Technique: braille font cut-out on handmade paper.
Frame - painted solid wood + glass
Backside - colour pencil, stencil
Certificate - in an A5 envelope with a QR link to an exclusive video.
#1 "Believing is seeing" from the series of 20 different artworks.
Technique: braille font cut-out on handmade paper.
Frame - painted solid wood + glass
Backside - colour pencil, stencil
Certificate - in an A5 envelope with a QR link to an exclusive video.
Ksenia Yurkova. Sculpture from the series Portfolio Performance, 2021
M-size
400
€
30*30*6 cm
#2 "Established buy Belief" from the series of 20 different artworks.
Technique: braille font cut-out on handmade paper.
Frame - painted solid wood + glass
Backside - colour pencil, stencil
Certificate - in an A5 envelope with a QR link to an exclusive video.
#2 "Established buy Belief" from the series of 20 different artworks.
Technique: braille font cut-out on handmade paper.
Frame - painted solid wood + glass
Backside - colour pencil, stencil
Certificate - in an A5 envelope with a QR link to an exclusive video.
Ksenia Yurkova. Sculpture from the series Portfolio Performance, 2021
M-size
400
€
30*30*6 cm
#3 "Poor Man's Bread" from the series of 20 different artworks.
Technique: braille font cut-out on handmade paper.
Frame - painted solid wood + glass
Backside - colour pencil, stencil
Certificate - in an A5 envelope with a QR link to an exclusive video.
#3 "Poor Man's Bread" from the series of 20 different artworks.
Technique: braille font cut-out on handmade paper.
Frame - painted solid wood + glass
Backside - colour pencil, stencil
Certificate - in an A5 envelope with a QR link to an exclusive video.
Ksenia Yurkova. Sculpture from the series Portfolio Performance, 2021
M-size
400
€
30*30*6 cm
#4 "Clutch a Straw" from the series of 20 different artworks.
Technique: braille font cut-out on handmade paper.
Frame - painted solid wood + glass
Backside - colour pencil, stencil
Certificate - in an A5 envelope with a QR link to an exclusive video.
#4 "Clutch a Straw" from the series of 20 different artworks.
Technique: braille font cut-out on handmade paper.
Frame - painted solid wood + glass
Backside - colour pencil, stencil
Certificate - in an A5 envelope with a QR link to an exclusive video.
Ksenia Yurkova. Sculpture from the series Portfolio Performance, 2021
M-size
400
€
30*30*6 cm
#5 "Trust Your Gut Extinct" from the series of 20 different artworks.
Technique: braille font cut-out on handmade paper.
Frame - painted solid wood + glass
Backside - colour pencil, stencil
Certificate - in an A5 envelope with a QR link to an exclusive video.
#5 "Trust Your Gut Extinct" from the series of 20 different artworks.
Technique: braille font cut-out on handmade paper.
Frame - painted solid wood + glass
Backside - colour pencil, stencil
Certificate - in an A5 envelope with a QR link to an exclusive video.
Ksenia Yurkova. Print from the series SS*SR, 2018
#2/5+2AP
#2/5+2AP
S-size
350
€
20*30*0.4 cm
Lambda C-Print on Fujicolor Crystal Archive
DP II Photopaper under
2mm Acrylglas on 2mm Alu-Dibond/
Lambda C-Print on Fujicolor Crystal Archive
DP II Photopaper under
2mm Acrylglas on 2mm Alu-Dibond/
Ksenia Yurkova. Print from the series SS*SR, 2018
#2/5 +2 AP
#2/5 +2 AP
S-size
350
€
20*30*0.6 cm
Lambda C-Print on Fujicolor Crystal Archive
DP II Photopaper under
4mm Acryl glass on 2mm Alu-Dibond/
Lambda C-Print on Fujicolor Crystal Archive
DP II Photopaper under
4mm Acryl glass on 2mm Alu-Dibond/
Ksenia Yurkova. Print from the series SS*SR, 2018
#2/5 +2 AP
#2/5 +2 AP
S-size
300
€
20*30*0.4 cm
Lambda C-Print on Fujicolor Crystal Archive
DP II Photopaper under
2mm Acryl glass on 2mm Alu-Dibond/
Lambda C-Print on Fujicolor Crystal Archive
DP II Photopaper under
2mm Acryl glass on 2mm Alu-Dibond/
Ksenia Yurkova. Print from the series SS*SR, 2018
#1/5 +2 AP
#1/5 +2 AP
S-size
300
€
20*30*0.4 cm
Lambda C-Print on Fujicolor Crystal Archive
DP II Photopaper under
2mm Acryl glass on 2mm Alu-Dibond/
Lambda C-Print on Fujicolor Crystal Archive
DP II Photopaper under
2mm Acryl glass on 2mm Alu-Dibond/
Ksenia Yurkova. Print from the series SS*SR, 2018
#2/5+2AP
#2/5+2AP
S-size
300
€
25*38*0.3 cm
UV-Print on Acryl/
UV-Print on Acryl/
Ksenia Yurkova. Print from the series SS*SR, 2018
#1/5 +2 AP
#1/5 +2 AP
S-size
300
€
15*22*0.4 cm
Lambda C-Print on Fujicolor Crystal Archive
DP II Photopaper under
2mm Acryl glass on 2mm Alu-Dibond/
Lambda C-Print on Fujicolor Crystal Archive
DP II Photopaper under
2mm Acryl glass on 2mm Alu-Dibond/
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